Speed up your editing by relying on your keyboard. If you memorize these 16 keyboard shortcuts, you'll become a true workflow warrior.
Editors are always looking for ways to work faster. Keyboard shortcuts are a great way to do this. When you can perform a series of edits without even touching your mouse, you speed up your workflow. I love learning keyboard shortcuts — it familiarizes me with a program's functionality and improves my speed.
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- Backward compatibility of Premiere Pro projects; Open and edit Premiere Rush projects in Premiere Pro; Best Practices: Create your own project templates; Workspaces and workflows. Workspaces; Working with Panels; Windows touch and gesture controls; Capturing and importing.
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So I've rounded up 16 keyboard shortcuts you should start using today. Some you may know, and some you may not, but all of them will increase your command of Adobe Premiere Pro.
1,2, & 3. Shuttling Controls (J,K, and L)
One of the more basic Premiere shortcuts, the J, K, and L shuttle controls are standard across most NLEs. They let you play forward with L, play in reverse with J, and pause with K. Press the keys multiple times to shuttle more quickly through your timeline.
4. Maximize Panel Size (`, Backtick)
This button simply expands the selected panel size to full screen. This is incredibly handy when you want to get a full screen preview of your timeline. Www ubuntu com 15 10.
5. Add Edit (Cmd/Ctrl + K)
This is one of my favorite shortcuts. To me, it's much faster than pulling out the razor tool for every edit.
For an even easier time with this shortcut, assign it to one of your mouse's side buttons (if it has any) for immediate cuts in a flash. Add a shift modifier, and it will cut all clips under the playhead.
6 & 7. In and Out (I & O)
Probably one of the most used shortcuts in Premiere, this marks in and out points on your selected clip or on your timeline.
8 & 9. Clip Shuttling (Up+Down Keys)
These are, by far, the best keys to use to get through your edits. The up key will shuttle you through your timeline edit points, getting you where you want to go as quickly as possible. Select which layer you want to shuttle through by toggling the V and A markers.
10 & 11. Timeline Expansion and Minimization (+ & -)
The + and – keys are pivotal for getting a good look at your timeline. Using them on their own, they will either stretch or condense your timeline horizontally. With added ctrl/cmd modifiers, you can stretch your timeline vertically to get a better look at each individual clip
12. Paste Attributes (Ctrl/Cmd+Alt+V)
The paste attributes shortcut isn't one you'll use often, but it's a great way to paste over attributes such as motion or Lumetri color settings from one clip to another.
13. Match Frame (F)
Use the match frame shortcut to bring the selected clip into your preview window at the playhead on your timeline.
14. Selecting Individual Clips (Alt+Click)
Yes, this shortcut may use the mouse, but it is still very useful. When you select a clip, Premiere defaults to selecting the audio as well. With alt+click, you can select just the audio layer to delete any scratch tracks you may have used for syncing.
15. Undo (Ctrl/Cmd+Z)
What is my apple administrator password. This shortcut is pretty universal. When you make the wrong edit, and you want to revert back, just smash the undo button until you get back to the edit you want.
16. Selection Tool (V)
The 'stasis' key in Premiere is a good shortcut when you're working with titles or other tools. When you want to revert back to your selection tool, just press V.
A Handy Shortcut Guide
If you want to keep all these shortcuts within reach, here's a handy chart:
Yes, this shortcut may use the mouse, but it is still very useful. When you select a clip, Premiere defaults to selecting the audio as well. With alt+click, you can select just the audio layer to delete any scratch tracks you may have used for syncing.
15. Undo (Ctrl/Cmd+Z)
What is my apple administrator password. This shortcut is pretty universal. When you make the wrong edit, and you want to revert back, just smash the undo button until you get back to the edit you want.
16. Selection Tool (V)
The 'stasis' key in Premiere is a good shortcut when you're working with titles or other tools. When you want to revert back to your selection tool, just press V.
A Handy Shortcut Guide
If you want to keep all these shortcuts within reach, here's a handy chart:
Tweak photos 2 3 mods. Looking for more video production tips and tricks? Check out these articles.
When editing video in Premiere Pro, many people confuse Source Patching with Track Targeting. While both are located in the same location of the Timeline and look very similar, the two are, in fact, quite different. Each performs its own distinct function, and trying to understand what exactly that is can prove to be daunting for new users of Premiere. Even after playing around with the program for several years, I still didn't fully understand the ins and out of these two important features of the Timeline panel. Let's have a closer look and learn the specific differences between Source Patching and Track Targeting.
Source Patching
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As the name implies, Source Patching instructs Premiere where to 'patch' your source. They control the track location of Insert and Overwrite edits on the Timeline. There is one Source Patch button for the video track and one for the audio track. The buttons become active only when you have a source selected. This can be a clip selected in the project panel or a clip loaded in the Source Monitor. Source buttons are located just to the left of the Track Targeting buttons in the Timeline panel. This is most likely where all of the confusion ensues, since both buttons look very similar, with the ability to turn on and off with a click. However, the Source Patch indicators have three different modes; on, off, and silent.
Track Targeting
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Track Targeting controls several things, including Copy/Paste, Match Frame, and Navigation commands. When you copy an asset on the Timeline and then decide to paste, your content will paste on the lowest track targeted based on layer order. For example, if you have video tracks two and four targeted, your content will paste to track two. For the Match Frame command (keyboard shortcut F), Premiere will match the frame of the clip on the highest track targeted. Again, this is based on layer order. So if you have clips on video tracks one, two, and four, and only track two is targeted, Premiere will Match Frame the clip on track two. Last but not least, you can use navigation shortcut keys with targeted tracks. The Up and Down arrow keys will quickly jump your playhead to head and tail edits of clips in targeted tracks.
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